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Cruz Novillo and Producers

Cruz Novillo and Producers

The first programme coordinated to unify printed and animated graphic art was used for Otto Preminger’s 1955 film The Man with the Golden Arm. The title sequence was designed by Saul Bass and featured an arm that traced the plot of the film: the drug addiction of its main character. The credits for the film...
A sharp point

A sharp point

In 1995 the “American Pencil Collectors Society” was founded in the USA, bringing together an interesting group of writing instrument collectors primarily focused on the collection of graphite lead pencils. For a number of years now, I’ve been pleased to form part of this Association, which publishes the newsletter “The Pencil Collector” as the “Official...
The graphic art of 25 years of peace

The graphic art of 25 years of peace

In Spain 1964 marked the 25th anniversary since the end of the Civil War. The convenience of using the central courtyard of the building that housed the Traffic Department’s Head Office saw an improvised workshop set up for producing a series of billboards by components of Grupo 13, who were “invited” to participate in a...
Catalan activist design by Pilar Villuendas

Catalan activist design by Pilar Villuendas

“Looking over the images produced throughout these years goes above and beyond a possible analysis of their graphic values to become a statement of the small daily history of Barcelona.” Pilar Villuendas set up her studio in the mid 1970s. Looking through the designs compiled in this recently published book “Barcelona, Urban Iconography in Transition”,...
'Arte Comercial' magazine, advertising and organization?

‘Arte Comercial’ magazine, advertising and organization?

“Arte Comercial” (Commercial Art) was one of the few examples in the Spanish publishing world of a journal specializing in the field of advertising. Founded in 1946 by Emeterio Melendreras, a professional that straddled the fields of advertising and design management, it included works by most of the graphic designers of the time: Manolo Prieto...
Jordi Blassi and the Cuenca Museum

Jordi Blassi and the Cuenca Museum

In 1966 the Museo de Arte Abstracto Español (the Museum of Spanish Abstract Art) was opened in the Casas Colgadas (Hanging Houses), in Cuenca, exhibiting a collection of paintings and sculptures by Spanish artists associated with this movement that Fernando Zóbel had been amassing, by and large, in the preceding years. The museum opening represented...
The El Corte Inglés pennant

The El Corte Inglés pennant

I remember the morning I began working as Art Director in the Publicity Department of El Corte Inglés as if it were yesterday. I was sneaking between drawing tables to introduce myself to my new Creative Director when an older man – white hair, smoking a cigar – asked me if I knew how to...
Read the images of… Alberto Corazón

Read the images of… Alberto Corazón

In 1973 the Alberto Corazón exhibition titled ” Read the image” took place at the College of Architects headquarters, Barcelona and in the Iolas Velasco Gallery, Madrid. Ferràn Cartes wrote in the college’s CAU magazine –one of the few examples of design and visual communication critique in Spanish publications (see previous post)– that “an image’s...
Garbayo’s paper creatures

Garbayo’s paper creatures

“Garbayo, el grafismo valiente” is a book that Fermín Garbayo’s children have affectionally and thoughtfulness put together. It is an homage that covers the brilliant activity of one of the geatest names whitin the Spanish graphic design community. As Pepe Cruz Novillo wrote in Garbayo´s obituary in the newspaper “El País”: ‘Fermín had been one of most...
Culleré's visual world

Culleré’s visual world

Pioneer is a polysemous word. It can signify the pioneer of an epoch, a brand new field, a precise style, a particular attititude or a different country. Albert Culleré -a dedicated follower of this blog- is a pioneer in several aspects of graphic design. As Joan Costa wrote in the following text, the specific fields...
Number one seeds

Number one seeds

For Christmas 1969 the Spanish design tandem Elías + Santamarina from Asturias created the greeting for the Grafistas del FAD. It represented a unique form of illustrating the moment of creation according to the particular style of the 28 colleagues in the Association: Baqués, Barba, Bas, Costa, Creus, Cruspinera, Domenech, Dorado, Escutia, García Benavides, García...
Ramón Calderón from London to Santander

Ramón Calderón from London to Santander

One of the attractive elements of running a blog on the characteristics of “Graphic Pioneers” is coming across a significant graphic work of which I was completly unaware. Thanks to the great help of Mario Crespo López to whom I’m sincerely grateful for the graphic images that are presented in this post, I´ve had the...